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Musician's Friend: Products & Inventory |
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page : 1 | 2 | view all ART
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ART FX-1 Multi-Effects
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| | Description: Features 60 digital effects presets; a "More" switch that gives you more of the effect you need; 30 effect algorithms; adjustable input and output; flanger, chorus, reverb, delay, doubler, pitch shifter, tremolo, panner, gated and reverse reverb; stereo inputs and outputs; processes up to 3 effects at once. Housed in an all-steel chassis that measures 5-1/4"W x 2"H x 5-1/3"D.... click here for more info
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ART 355 Dual Channel 31-Band EQ
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| | Description: Its long list of impressive features includes constant Q circuitry, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, balanced XLR and 1/4" and unbalanced RCA input and output connections, adjustable high-pass and low-pass filters, variable input level controls, signal clip level indicators, ground lift switch, internal power supply, and selectable line voltage switch. A rugged, all-steel chassis occupies 2U rackspace and fits standard 19" racks.... click here for more info
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ART Pro Channel Tube Mic Preamp
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| | Description: The result is a great-sounding and highly affordable professional recording channel. A Variable Mu circuit -- fast, fat, and a bit aggressive -- has been added to the compressor module or you can switch to ART's award-winning optical/tube compressor. Its 4-band parametric equalizer has selectable Q for the 2 sweepable midbands. Other features include XLR balanced and 1/4" unbalanced connections plus 1/4" unbalanced inserts, a variable low-cut filter (-3dB @ 10Hz-250Hz), and phantom power.... click here for more info
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ART HeadAMP Stereo Headphone Amp
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| | Description: HeadAMP provides amplification and individual volume control for up to 4 headsets. It can be driven by either line-level or headphone amp signals (mono or stereo). Includes 12V adapter.... click here for more info
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ART PowerMIX l - 4 Channel Mixer
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| | Description: When a number of mono sources or a stereo source need to be mixed down into a mono signal, this is your totally affordable solution. The PowerMIX I features 4 channels of passive mixing facilities. All line-level sources can be mixed as well as high-Z mics and most electric instruments. Great for karaoke and rehearsal applications.... click here for more info
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ART MPA Gold 2 Channel Mic Pre with Variable Impedance
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| | Description: The MPA Gold is defined by warmth, presence, clarity, and a performance that adheres to incredibly high standards with first-class features and components.Variable Input Impedance optimizes it for performance with a wide range of microphones. This infinitely adjustable variation dramatically alters the performance of the microphone and creates more sonic possibilities.The selectable Tube Plate Voltage function delivers a wide variety of tones. The tube circuit is differential, and provides the equivalent of a 300V power supply on the high voltage setting. With very low self-noise, the normal setting maintains classic tube preamp sounds.The MPA Gold's unique tube circuitry utilizes 2 - 12AX7A vacuum tubes and renders unsurpassed detail and clarity with a broad range of mics. It provides gai... click here for more info
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ART Dual Transformer/Isolator Hum Eliminator
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| | Description: Uses a pair of high-performance transformers to totally separate input and output signal grounds, thereby isolating the 2 systems and reducing hum and ground-loop noise. The DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. This gives the DTI a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 ohms to 100kOhms. XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs.... click here for more info
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ART SLA1 Studio Power Amplifier
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| | Description: The level of quality needed for your studio monitoring. With a super-wide frequency response (10Hz-40kHz), thermal-dependent cooling system, extremely low-noise electronics, and low-profile single rackspace design, it's ideal for both project and pro studios. Pair with the SLM-1 passive monitors for a great-sounding, cost-effective monitoring solution! The SLA-1 is rated at 100W rms/channel @ 8 ohms (130W rms/channel @ 4 ohms and 260W/bridged mono @ 8 ohms), hum and noise >100dB, input impedance of 22kOhm unbalanced (44kOhm balanced).... click here for more info
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ART DI/O Sample Rate Converter
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| | Description: This little device can be the home or project studio's best friend. It allows you to maintain sound quality when using "classic" analog components and improves any sound card's dynamic range by moving the A/D-D/A out of the PC. You can improve the performance of DAT machines, MiniDisc recorders, and DVD players; and use it to upgrade the performance of existing digital I/O products. Or reduce system noise on any computer-based audio workstation. Lets you add 2 high-performance channels to your multichannel interface. Or make samples warmer, softer, and more musical. Conversion: 24-bit, 96kHz, 128x oversampling. Sample rate: 44.1, 48, 88.2, or 96kHz switch selectable. Digital interface: S/PDIF coaxial, in and out, RCA jacks. External sync range: 22kHz -100kHz. 3-year warranty.... click here for more info
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ART PDB Passive Direct Box
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| | Description: The PDB is a roadworthy DI for connecting electric instruments and other audio outputs to the balanced inputs of mixers and other balanced inputs. It allows connection to an instrument amp while simultaneously patching it to a mixer. The PDB translates high-impedance signals from instruments into low-impedance balanced signals required by mixers. It also automatically balances and matches line level outputs of keyboards. If you're using a multiple keyboard setup and your keyboards are all plugged into a single amplifier, the PDB can replace individual direct boxes. Simply send the output of the instrument amplifier to the PDB and then to the console (instead of a separate DI box for each keyboard). DJ mixers often supply only an unbalanced --10dB signal. The PDB converts this signal to a b... click here for more info
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ART MacroMIX Mini Mixer
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| | Description: It gives you 4 channels with level controls, a variety of input types, phantom power, and active mixing circuitry. Use for all kinds of situations in the studio, such as when you need phantom power, solving level mismatches, sub-mixing of instruments, cable testing, preamping mics or turntables, etc.... click here for more info
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ART PowerMIX lll - Stereo Mini Mixer
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| | Description: Connect 3 signals from any source to a recorder. Mono/stereo signals come in through 3 input channels, and are mixed down to stereo or L/R mono signals. Also includes a headphone output.... click here for more info
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ART TPS II 2-Channel Variable Impedance Tube Preamp
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| | Description: The TPS II (Tube Preamp System 2) is a 2-channel, high-performance preamplifier coupled with ART's proprietary V3 (Variable Valve Voicing) functionality that delivers tremendous versatility. It also features variable input impedance which allows users to dial in and match any microphone type from large condensers to ribbon mics. Like its predecessor, the DPS, the newly improved V3 feature provides optimized reference points to begin the recording process for guitars, bass guitars, synths, acoustic instruments, percussion, vocals, and more. Unique to its class, the TPS II provides level monitoring with 2 analog meters as well as 2 newly added input monitoring LED meters. High-Z instruments or balanced microphone signals are input through front and rear panel jacks. This newly enhanced TPS I... click here for more info
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ART EQ452 Single 31-Band EQ 2-Rackspace
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| | Description: Perfect for critical audio applications where precision frequency tailoring, reliable performance, rugged design, and silent processing are essential. The Constant-Q design, with extremely accurate center frequencies, ensures that the bandwidth of each individual filter will be narrow enough to avoid unnecessary interaction between filters, yet still creates a curve wide enough to produce the precision processing you seek. 60mm slide potentiometers are graphically positioned at 1/3-octave ISO frequencies between 25Hz and 20kHz. Incorporates independent variable high and low pass filters that offer even greater precision in tailoring the signal. Also features automatic relay bypass of audio--essential if power to the unit is lost. Rugged construction and solid performance make the 451 perfe... click here for more info
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ART Tube MP Professional Mic preamp/Processor
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| | Description: This 12AX7-based mic preamp provides high-quality sound, smooth response, and 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more.... click here for more info
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ART 341 Dual Channel 15-Band Equalizer
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| | Description: This dual-channel, 15-band, 2/3-octave graphic equalizer features constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, a selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connections, variable input level control, clip level indicators, ground lift switch, internal power supply, and selectable line voltage switch. Each channel has its own bypass switch with LED indicator. Rugged, all-steel chassis mounts in a single 19" rackspace.... click here for more info
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ART CoolSWITCH A/B-Y Box
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| | Description: Lets you switch a common source signal (guitar, bass, or keyboard) between 2 amps or amp channels. Or conversely, it lets you switch 2 source signals into the same amplifier. LEDs indicate whether A, B, or Y routing is in effect.... click here for more info
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ART Phantom III Phantom Power Supply
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| | Description: Different condenser microphones specify different amounts of required phantom power. As a rule, these ratings can range from 48 volts all the way down to 9 volts. Fortunately there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be "more is better." For example, a 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48V mic, you would obtain the best results with 48 volts of phantom power. The Phantom III is a great choice for the above needs.... click here for more info
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ART DMPA Pro 2 Channel Mic Pre with Digital Outs
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| | Description: The 2-channel Digital MPA is one of the finest microphone preamps with digital capability available. The enhanced discrete front end maintains every nuance, revealing incredible dynamic range.Variable Input Impedance optimizes it for performance with a wide range of microphones. This inifinitely adjustable variation dramatically alters the performance of the microphone and creates more sonic possibilities.The selectable Tube Plate Voltage function delivers a wide variety of tones. The tube circuit is differential and provides the equivalent of a 300V power supply on the high voltage setting. With very low self-noise, the normal setting maintains classic tube preamp sounds.The MPA Gold's unique tube circuitry utilizes 2 - 12AX7A vacuum tubes and renders unsurpassed detail and clarity with a... click here for more info
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ART ARTcessories X-Direct Professional Active Direct Box
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| | Description: Powered by an internal 9-volt battery or via phantom power at the XLR output, the X-Direct features a switchable low-pass filter that cuts out all very high-frequency interference. This Bessel filter on the output is placed out of the audio range and is primarily intended to reduce radio frequency interference before it gets into the main system. The filter also reduces computer noise artifacts when used as an interface between a computer-based audio workstation and monitors. Phase inversion switch reverses signal polarity at the source. Stylish, compact, and durable chassis; input attenuator switches for a wide range of signal levels; and an input through jack for tapping off the signal chain. A ground lift switch lets you totally separate the input and output signal grounds, reducing hum... click here for more info
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ART SLM-1 Studio Monitors & SLA-1 Power Amp Package
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| | Description: The SLM-1 Studio Linear Monitors offer a superb level of quality at a great price. Their clear, accurate sound and wide frequency response (40Hz-20kHz) make it easy for you to deliver a balanced mix that translates well to any system. The SLA-1 Studio Linear Amplifier offers the level of quality needed for your studio monitoring. With a super-wide frequency response (10Hz-40kHz), thermal-dependent cooling system, extremely low-noise electronics, and low-profile single rackspace design, it's ideal for both project and pro studios. Rated at 100W RMS/channel @ 8 ohms (130W RMS/channel @ 4 ohms and 260W/bridged mono @ 8 ohms), hum and noise >100dB, input impedance of 22k ohm unbalanced (44k ohm balanced).... click here for more info
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ART PRO VLA 2-Channel Tube Compressor
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| | Description: Providing 2 independent channels of analog leveling/compression, PRO VLA circuitry is a hybrid transformerless design that maintains exceptional signal integrity and extremely low noise. It utilizes optical electronics (Vactrol) coupled with a 12AX7 tube gain stage for superior musical performance. The PRO VLA is a soft-knee leveler and, although capable of providing a fully squashed signal, it excels where transparent expressively musical dynamics control is desired. Variable threshold, ratio, and output controls. Balanced XLR and 1/4" TRS I/O. 2U rackmountable. 5-year warranty.... click here for more info
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ART CableCOP Cable Detective
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| | Description: Works with mic cables and patch cords with 2 or 3 conductors, instrument cables with 2 conductors, basic speaker cables with 2 conductors and MIDI cables comprised of DIN5 connectors using 2 conductors. The CableCOP features a full selection of standard pro audio connectors for testing all such cables. LEDs on the CableCOP link its various connector terminals and will only illuminate when the connected cable completes a circuit. As a result you're able to tell, at a glance, which cables need to be repaired. Sometimes the problem can be the cable itself. An LED may also fail to illuminate if a 3-conductor cable has been wired out-of-phase.... click here for more info
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ART Phantom l Active Direct Box
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| | Description: The Phantom I serves a multitude of needs in the studio and onstage: Problem: You need to connect an amplifier's speaker output to the mic input on a mixer.Solution: Connect a Phantom I between the speaker output and a mic input with phantom power on the mixer, then set the attenuation switch to --40dB.Problem: Your P |
